George Bernstein – On Doing Research @GeorgeBernstein

On Doing Research

by George Bernstein

Non-fiction writers are constantly challenged with getting the facts right. That usually requires a lot of research, especially if you’re dealing with a subject on which you are not already an expert. Nothing denigrates a work more than faulty or bogus data.

Of course, if you’re writing fiction, your imagination is allowed to run free, so accurate details aren’t prerequisites, right?

Wrong! Nothing bugs readers more than seeing information that is totally out of sync with the real world… unless you are writing fantasy or sci-fi. Even little things like descriptions of locations that don’t jive with physical reality can draw critical comments on a writer’s web site or the multitude of writing blogs that span the internet. Of course, you can intentionally change the description of a location and give streets bogus names if you think it necessary for the story you’ve developed. Just be sure you state that fact in the Foreword or Acknowledgements.

Occasionally you’ll find your imagination actually coincides with reality. That’s when getting the facts straight really count. When I began writing my first novel, Trapped, in 1990, I imagined a physical condition for my protagonist, Jackee, as physically comatose but fully sentient, locked in her head. Only her mind and her eyes worked. It wasn’t until several years ago that I heard of “Locked-in Syndrome,” which is exactly the condition I envisioned. When Trapped won TAG Publisher’s  “Next Great American Novel” contest in 2012, and I was on my way to getting published, I figured I‘d better do some research on the condition, to lend reality to her story.

Thanks to Google, I found a plethora of articles on the syndrome, including many vignettes about real people in Locked-in Syndrome. I even discovered the medical terms for the parts of the brain affected. It took several days of digging and sorting to accumulate what I needed, and then several more days to incorporate it into the story without making it look like a “data dump.” I was happy with the results, and I’ve received many comments from doctors, including two neurologists, complimenting me on the accuracy of my work. That makes you feel great about a job well done.

In my second novel, A 3^rd Time to Die, launched in June of 2013, I was faced with a more difficult research task. This romantic suspense deals with past lives and rebirth. I’d read several books on the subject by Dr. Brian Weiss, a leading proponent of the subject. In A 3^rd Time to Die, two lovers are brutally murdered in the 17^th Century. Their souls are reborn in the 19^th Cerntury, again finding love together… and are again gruesomely murdered. Now they are back in the 21^st Century… and so is their killer.

My protagonist is eventually hypnotically regressed into those past lives, so I decided reading about how it was done wasn’t going to cut it for me. I found an associate of Dr. Weiss’ who hypnotically regressed me… into NINE lives of my own. I had my doubts of the reality of the condition, but wanted to see what it was like. This, you may think, is going a bit “overboard” for research, but it was a life-changing experience. I’ve found that good research is often fulfilling and mentally expanding, but this went beyond. And it gave me a clear understanding of how regression actually works, the actual mechanics the therapist uses to take you back… back… back into past lives.

Here’s an interesting personal antidote. When I was twelve, my dad brought home a bow and a big straw bull’s-eye target. My only experience with a bow was Western movies, but I set up the target in the back yard, strung the bow (how did I even know how to do that?), paced off about 100 feet…and started shooting bull’s-eyes! I seldom missed that center black circle. Once, while practicing, a big crow flew over, probably 60 feet high. I instinctively put an arrow in him. A week later, while “hunting” in a nearby forest preserve, I flushed a ringneck pheasant, and knocked him down with a quick shot. Then a rabbit, dodging through the brush. I don’t know how I did it, I just DID IT, without thinking.

The point of this little tale is, during one of my regressions, I found myself in Lincolnshire Forest, shooting game for a 16^th Century English duke… a regular Robin Hood. An interesting and provocative side-light to doing research for a novel.

Frankly, I’m usually reluctant to do much research. It can be time consuming, and often frustrating. I’d rather rely on my imagination. But, if you’re a serious writer, the time will come when it’s a necessity to lend the feeling of reality to your tale. I’ve written two novels in a series featuring a troubled Miami homicide detective. In the first, he’s chasing an elusive serial killer. Now we all know quite a bit about these guys, with all the TV detective shows, but I needed to know more details of who they are, how they think, and what can motivate them. Again, plunging into Google, I found loads of information, including the complete minutes of an FBI symposium given by their BAU division (Think “Criminal Minds” on TV). While those two novels are yet to be published, I’ve now got a storehouse of info on how to make these guys seem real.

Research can be complex, like regressing into Past Lives, or simple, like learning about the streets and demographics of a city you’re writing about but have not visited. Whatever, good research helps separate the professional novelist from the common amateur.

Sometimes, it can be down-right fun! Just don’t forget the “Disclaimer” in the front matter of your book, stating this is a work of fiction, and you may have taken liberty with facts to meet the demands of the story.

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Genre – Romantic Suspense

Rating – PG13

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