Do you recall how your interest in writing originated? I can’t remember a time when I wasn’t interested in writing, so it’s hard to fix a point of origin—maybe in the womb?
When and why did you begin writing? I started writing when I was very young, awful poems and song lyrics, mostly to try to work through some difficult experiences happening in my childhood: my parents divorcing, multiple moves, and my grandfather’s death. The more I wrote, however, the less focused on reality my writing became; I eventually settled into fiction, imagining different worlds for myself. I guess at its heart, it began as escapism.
Why did you choose to write this particular book? It tortured me until I released it.
What was the hardest part about writing this book? The revision process was excruciating for me, endless.
Did you learn anything from writing this book and what was it? That I can.
Did writing this book teach you anything and what was it? When I started writing Widow Woman, it was a much different book than it is today. I thought I wanted to say one thing with it at first, but with every subsequent revision or rewrite, I realized that there were different, much deeper, messages underneath that needed to come out. It’s odd to say that those messages took me by surprise at times, but they did. From that I learned that I can’t force the story—it will become what it is meant to be, if I trust it.
Do you intend to make writing a career? Come hell or high water.
Have you developed a specific writing style? I’ve been told that my writing has a very poetic quality to it, but that’s not something I strive to achieve; I just try to write in such a way that readers can see what I see, feel what I feel. Any poetic effect is incidental to that.
What is your greatest strength as a writer? Tenacity.
Have you ever had writer’s block? If so, what do you do about it? I hope not to offend anyone out there, but I don’t believe in writer’s block. Have I been stuck? Yes, I think every writer gets stuck from time to time. For me, that’s a sign that I’m not done with my soft writing, so I walk away from it. I’ll think about the problem section, but I don’t sit in front of a blank screen and stew. I get on with my life, because it’s living, being in the world, that gives me the clues and inspiration I need to get unstuck. I read, I go to movies, talk with my husband and kids, have dinner with friends, run things past my writer’s group to see if maybe they can unlock something for me—but mostly, I ignore the book until something pops in my head and I’m ready to get back to work with it. Sometimes that process takes a long time—in one case, several months—but it’s never lasted longer for me than that. I think those long breaks from the actual writing are all part of a natural process, a natural rhythm. In any case, those breaks are inevitable; we all experience them.
Buy Now @ Amazon
Genre – Women’s Fiction
Rating – PG13
More details about the author